Welcome to the sequel.
Our church is at war. We are under attack from an old enemy… the trolls at KyoAni. They have struck us from within and threatening us all with destruction from their new god Haruhi. For years, Haruhiists have been trying to understand so many aspects of our Haruhiism, including the creation of the second season. And yet they have not found the answer.
But I tell you folks, the path is alive! In just a few hours the truth shall be revealed. The wheels have been in motion for a long time. Our victory has been inevitable. Never before has it been as obvious as it is at this moment! But this victory has cost every one of us. And it has cost us deeply. Our comrades have been brain asploded for weeks leading up to this day. And so I step back from this battle with great humility.
This series was big to me. I was actually in Japan back in summer of 2006. The anime just ended its television run, but the virus had just begun to spread. In my actual first visit to the otaku land of Akihabara, I thought it was Haruhi land. You know it’s big when massive posters, DVD promotion materials, cosplay, and tons of merchandise related to the series are being shown at literally every corner. Of course, being a newbie, I only would be able to skim the surface, meaning the streets and major shops. Who knows what goodness lurks inside those hidden otaku and doujin shops that I didn’t dare venture into back then. And being total failure for not taking any pictures, this text would be the only account that I would leave you. I enjoyed it, the immersion. Even if I don’t have money to purchase anything, I would just idle around and window shop.
Three years later though, it isn’t as big to me anymore. What’s the problem? Do I need a rewatch of the original series? I read forums and such, they are still hyped about this thing. And their anticipation seems to be building at a climax since the reveal of the 8th episode to be the FINAL(or is it?) nail in the coffin about the so-called “second coming”. In my case though, I just follow the clues never really digging deeper into it. I don’t mind seeing more of the SOS-dan gang, but I don’t mind “not” seeing them either. Oh, maybe I’m a bit saturated of them because of the many animemes that feature them. I consider Haruhi to be a major prime mover of the modern doujin era, and as a rabid consumer of all things parody and MAD I literally see some sort of Haruhi everytime I watch those videos. In Hollywood terms, maybe this series became my Star Wars or Back to the Future. I don’t remember much details about those movies, but I frequently refer to them because they were some of my favorites. And I would tend to laugh everytime some or article or post would refer to quotes from those movies (ex. 1.21 JIGAWATTS!).
Maybe that’s the point. Haruhi, to me, became a meme. A franchise that would forever be embedded in my entertainment consciousness whether I like it or not. This is in essence a good thing, because whenever something gets elevated to meme status, it means that it’s now a legend to me. Call it “silent hype”. I won’t shout loudly about my Haruhi fandom, but something inside of me is greatly wanting the second season to happen. Well, it “will” happen eventually. We just don’t know if it’s this Thursday late-night, after the 14-episode rerun of the anime, or some other date far far away. This massive trolling by Kadokawa and Kyoto Animation, while seen by some fans as demonic and cruel, is actually a unique way of advertising. The oncoming sh*tstorm will certainly be interesting. I will update this post for the results, but I’m sure you’ll be faster than me, because I’m sleeping tonight. I don’t care when it comes, but when it “does” come, I will watch it. Enjoy the hype, people.
Update: Didn’t sleep. So I found this:
In the last episode of my Animax-Asia series, we see Animax-Asia make TV history. This time, one of our own Philippine TV channels is about to make its own TV history too. It’s an exciting time to be an anime fan!
Well, admittedly I don’t follow Filipino dubs of anime anymore, so it’s not as exciting to me. However, I certainly appreciate its existence, because I used to watch them regularly. Today, there are a lot of people who are still not into DVDs and fansubs, heck I think some don’t even have cable TV. That is why when progress is made at the local TV front, I had to be there up close. I used to be fairly active in a number of Philippine-based anime forums some years ago. Ah those were the days. We’d nitpick every cut being made in the anime, be it for censorship reasons or just to insert more ads into the timeslot. We’d bash and praise bad and good voice acting, compare the Filipino dubs to the original, and try to see how the translations fared during the conversion.
While I have graduated from watching dubs on local TV and on cable, I still follow a bit of the local scene to see how anime is being treated. As I had said in the Animax-Asia article, choice is good. What’s quite amusing is how fast they catch up to me today. Animes that are being licensed and acquired by our local TV companies are getting newer and newer. There used to be a couple of years gap between an anime’s airing in Japan and its airing in the Philippines. That gap is slowly shrinking. I am seeing acquirations left and right of anime which are fairly recent. Now, much like Animax-Asia, there is a new tiger in town… TV5.
Since the new management change, the channel has revived its anime primetime block. This will be the first time in 5 or so years that anime can be seen on evening, because the other major channels have trashed this idea in favor of more lucrative markets like gameshows, the usual teleseryes and more meh reality series. TV5 goes a step further, with its anime selection seemingly and surprisingly relevant to the very discerning anime fan. Maybe their staff are anime fans too, probably knowing about the fansub and internet world and also what’s critically acclaimed and popular in anime. In any case, they know their stuff. They do decent dubs, they never cut anything badly, and they show full openings and endings. Also, they are pushing the bar in turnaround time. Currently they are airing Code Geass R2. How about that? Within half a year, the anime is here. I don’t know anything about the television business, but they must have a decent amount of budget dedicated to anime licensing, localization and promotion. I heard that TV5 has partnerships abroad, and so maybe there’s the source of their finances. What’s amazing here is that they see the potential of anime in primetime. They know that someone is bound to stick to their channel during the anime slot while the other big two channels are showing crappy soap operas. For better entertainment, watch anime instead.
Now they are pushing further. Remember Toradora? It just ended in Japan this spring. Guess what… they’re airing it NOW. But wait, there’s more! Remember Fullmetal Alchemist: Brotherhood? THEY’RE GONNA AIR IT TOO! WEEKLY! Alright, this is not the “same week in Japan” treatment in Animax-Asia, but they are merely 7 episodes behind. This is TV history by any respects, the very first near-simulcast broadcast of any anime in the Philippines. The fastest acquired anime, and it’s no sloppy anime either. This is freaking Fullmetal Alchemist. I’d give up Naruto and Bleach for this thing (then again, I’ve already given them up long ago)! Suddenly the tables have not only turned, but tumbled over. I now regard TV5 as the new local TV anime authority.
They aren’t even in this business for a year yet! They just showed anime after anime since August of 2008 as if they were insane. One of their very first lineups was Shakugan No Shana, and I was fashionably late in discovering about it. I didn’t care much about the anime, except that I exclaimed that this is good news. Some months later, I saw more anime being acquired, and I started to take notice. The rest is history. Everytime I see something new in TV5, I always get surprised. From classics like Ranma 1/2, mild hits like Special A, DNAngel, and Ragnarok to REALLY good stuff like Azumanga Daioh, Code Geass, and Cowboy Bebop, this is really a powerhouse lineup that trumps even the 24-hour anime cable channel selections.
I really hope they’re generating profit with this, because I’d hate to see a major stumble in their awesome run. At this point, I don’t care if they start showing reruns of their old anime licenses. The selection is vibrant anyway. In any case, I’ll be following the progress of this channel’s anime block from now on. I do admit, I don’t watch dubbed anime regularly anymore, and so I am not their audience. With this post I’m merely spreading the word. If you live in a cave like me sometimes, and you still like your anime served in Filipino dub, please tune in to TV5 every primetime evenings to see what you’re missing.
I FACEPALM IN A POSITIVE WAY.
Another big arsenal. Regardless of whether you like Haruhi or not, you know it’s big.
bluemist anime blog pirated edition
Read my old article first. Interestingly, I have more things to add today, since the situations have changed a bit dramatically in under that couple of years.
Back in late 2007, the concept of licensed internet video streaming of TV shows and movies was at its infancy, but now it is going mature. The solution to the internet piracy problem is here. Well, almost. A sizable amount of shows, even anime, are being legally streamed in a very wide variety of sites. Moreover for the anime side, the concept of being left out with the latest stuff in Japan is coming to an end, as more new anime are being simulcast to the world through internet and even cable television. Sometimes it’s even faster than fansubs, and you wonder why fansubs are needed anymore. It’s really a good time to enjoy anime and other entertainment while staying legit.
We are still at a transitional phase in this war against yarrr. There are still certain aspects of piracy that still leaves it in a gray area, at least in my point of view. You see, I’m not from the United States, and so most 90% of all that legal, streaming or downloadable internet content is unaccessable to me. Why? Regional restrictions. You know what I think about it? It’s a load of crap. Take for instance Crunchyroll. Good service yes. But even if I subscribe to their standard anime membership, my anime selection is still limited according to my region. Let me say it again in another way. Despite me having to pay the same darn amount as anyone in the United States, I still can’t watch the same anime as them. In fact, I can only watch… 10% of what they can. WHY?
It makes no sense for me in so many levels, but there can be a lot of technical terms in worldwide copyright licensing mumbojumbo blah blah that can explain to me why I can’t have the same anime fix as other people around the world. Well you know what? That doesn’t matter to an entertainment consumer like me. Other people will either say “well you can’t do anything about it, third-class citizen of the world” or “well there’s always the torrents”. Either of those still seems unfair. Think about it.
It’s not like it’s only the United States’ fault or anything. While their worldwide trade policies are too stagnant to compare to the advances in technology nowadays, their kind of setup is still the economic standard of the world. And we are at fault too. I read an article recently about book tariffs. Our country put a high customs import tax on a certain popular novel series which I would only name as ’emo vampires’. Imagine that, putting a high price on a mere book for personal or government profit. Crab mentality which almost hampers the flow of information. Same way with licensing. If some show is from Japan, we need to import it to make it legally available here, but we have to pay the price.
I proudly announce that I finally bought the To Heart DVD set. Awesome yeah. To Heart is one of my favorite anime series ever. But with buying that DVD set comes along realizing the painful reality of the current trade policies of the world. That DVD set cost me 40$, which is the same price an anime fan from the US can get it. But me, being in a third-world country, with my third-world income, cost me an “additional” 40$ to ship the thing… AND a horrible 40$ more for the customs tax. RAAAAAAGE!
What can I do? This is the only way to go legit. Sure, I can finding relatives in US and Canada who’ll get it for me cheaper, but that’s an added hassle. All-in-all, with globalization slowly becoming real, these old crappy policies must change. Too bad that they won’t because everyone’s too busy with the recession and all to worry about a problem that only affects a few people like me. But that in itself is a problem. You know why we’re having a recession? Because old habits die hard. We are either too weak or too lazy to change things. That’s another whole issue that I already explained in that older article, so let’s stick back to the new idea. While having more entertainment legally available to the internet is good and all, we are still being dragged down by the old policies of the old industries. Especially the ones outside those holy lands. Simply put, if one wonders why I stick to gray-area piracy for some particular entertainment I want to listen to or watch, I’d say because it’s not available in my region. Sure, label me a pirate, but I have tried everything in my power to go legit. I have failed in some parts, but thankfully I did succeed in others. That 10% available anime. That To Heart DVD set. I told you my money will eventually go to your pockets.
I’m probably one of a few handful of people who still cares about Da Crapo, although I’m admitting that this bishoujo thing is slowly starting to wear out on me. And yet the series may still matter, after all, it was a remarkable anime that put bishoujo games into the anime map. One thing that ticks me off in ALL the anime counterparts of Da Capo (and even Da Capo II) is that the best girls always gets the worst parts. That girl is the lovely lovely Kotori Shirakawa (and her descendant Nanaka). While Kotori had a decent arc in the first season, the second season was of failed promises. I thought that she will be the main character in that season because Nemu and Sakura were gone. Alas, the two returned anyway, while Aisia stole the entire show not too long after. And so the prospect of having this D.C.if OVA almost 3 years after the last Da Capo anime gives me the giggles. It’s Kotori, and it’s Da Capo all over again!
Well, it’s been a long time since I cared about Animax-Asia again. For so long, this anime channel has never changed much in terms of its dubbing policies and prowess, showing yes, the same quality that caused a lot of my complaints over the course of this episodic drama. I didn’t care anymore what kind of anime is being shown there and even in our own local anime channels. I guess I really just ended my anime-on-TV watching altogether, in favor of digital distributions and DVDs. I do admit though that this channel, and all others showing anime series locally, have really contributed to the popularity of this kind of entertainment as a whole in our country. Nowadays I wouldn’t be surprised anymore if someone comes up to me and mentions certain “niche” series, the NOT NARUTOS and NOT BLEACHES of genres. I think even the sometimes-talked about ‘elitism’ within groups of anime fans seems to be blurring itself away as well. Nowadays I don’t think other people would say that some anime will just be “bastardized” or it will lose its niche appeal once it comes on TV to be shown to the mainstream. I think people now appreciate that they have a vast selection of shows to choose from on TV. Choice is good.
Let me focus on what’s happening on local TV first. There’s a new player in town, well actually an older player, local channel TV5. Since the new management change, the channel has revived its anime primetime block. This will be the first time in 5 or so years that anime can be seen on evening, because the other major channels have trashed this idea in favor of more lucrative markets like gameshows, the usual teleseryes and more meh reality series. TV5 goes a step further, with its anime selection seemingly and surprisingly relevant to the very discerning anime fan. Maybe their staff are anime fans too, probably knowing about the fansub and internet world and also what’s critically acclaimed and popular in anime. From classics like Ranma 1/2, mild hits like Special A, DNAngel, and Ragnarok to REALLY good stuff like Azumanga Daioh, Shakugan no Shana, Code Geass, and Cowboy Bebop, this is really a powerhouse lineup that trumps even the 24-hour anime cable channel selections. Whatever I sampled about their dubbing is not bad, and they even completely show the openings and endings. The guys at TV5 know their stuff, and I say kudos to them for this excellent alternative programming especially in competitive times. A few more mentions though. QTV selection is quite decent as well, but they show anime on some odd and unpopular schedules. ABS-CBN and GMA has yawn-inducing reruns and kid-focused new anime. Studio 23 still shows the ever-antique Samurai X, but at least it’s picking up pace with Blood+ (original English dub, quite rare) and the upcoming Gun X Sword. Hero TV is as usual, nothing to report, although as a bishoujo anime fan I’m rather surprised to see some bishoujo game based anime there (Kiminozo, Happiness and Da Capo).
Now, let’s go to the meat, Animax-Asia. It really had been stagnant for quite a while. They have the same good-to-average-to-poor dubbing quality and they still hire the same voice dubbers for the job, all these years. Everytime I channel-surf in random, when it comes to Animax-Asia, I would say “OMG they show this anime now? But meh, dubbing as usual.” There are also lame attempts at capturing new markets. I think they tried some magazine shows, featuring stuff I wouldn’t normally see in an anime-focused channel. They have quirky Takeshi’s Castle-style Japanese game shows too. I don’t see Music Station often there anymore, have they canned their jpop music show? They also do specials for Hollywood geek shows and movies in sci-fi and comic genres. Finally, they have their own original anime production. I think a Filipino wrote the script of LaMB, which is quite nice but it’s not my genre.
And more confusion, as some anime (like Slam Dunk) are being shown BOTH on dubs and original Japanese with subtitles in different time schedules. What’s up with that? Old AXN anime fans haunting them? Trying to win back the audience they lost (me included)? Well, this may be a start. Another nice anime selection, Nodame Cantabile, is being shown ‘exclusively’ in original Japanese with English subtitles. Considering the content of this popular shoujo anime, it is rather logical to show it on subs, although I wouldn’t be surprised if they give it their lame dub treatment someday. I really hope not. This is positive news moving forward. They have returned to their roots, although I initially thought that they are just testing the waters.
But this is where it really begins. The other major, and this time it’s rather MAJOR, change in Animax-Asia is the announcement of not only one, but two new anime premieres in the original Japanese with English subtitles format. Good, more subs for the sub-loving audience they want to return to. But wait, there’s more to this. When I mean new anime, I mean NEW, as in fresh in Japan. As in SIMULTANEOUS PREMIERES! SIMULCAST!
Tears to Tiara and the new Fullmetal Alchemist will be shown on Animax-Asia in the original Japanese language with English subtitles. Tears to Tiara will be completely simulcast on the same time schedule in Japan… you can literally watch the episode at the same time Japanese fans can watch it. Fullmetal Alchemist episodes will show a mere week later from its Japanese counterpart. I think that this is, really, historic.
While Crunchyroll already does this in its internet distribution, these are firsts for television. I think they have reached a maximum-possible turnabout for anime premieres. To think that some time ago, we still need to wait a year or two for anime to appear on television sets, now we (English-literate anime fans) can have same-second entertainment the way the Japanese gets entertained. This is also a direct challenge to the gray-area (pirated if you see it that way) anime fansub scene, because really, is there any need (other than private collecting) for Tears to Tiara fansubs now? Not that I predict that show is worth it. I like Leaf/Aquaplus game based anime but I don’t follow their fantasy pieces (Utawaremono included) as much as To Heart and White Album stuff. Fullmetal Alchemist – Brotherhood though, this is the BIG one. If the old series had so much critical acclaim even with its complete diversion from the manga, what more with this when they said that the new anime will faithfully follow the manga this time? New episodes premiere in six days. Only speedsub lovers would dig the fansubs now. Even I prefer marathon runs especially on shounen pieces like these, so recap marathons on the channel would be welcome to me.
This is really the next step, a huge one for anime fans like me. Along with internet distributions and rapid DVD releases, Japanese anime companies are finally seeing the international market, and that they can cater to them by showing them the absolute latest of what they can offer. They also know now that they can reduce potential piracy by doing so. I hope that this is only the beginning. I don’t think Animax-Asia will rest on their laurels now that they have more positive mindshare coming from me, sub fans, fansub viewers, FMA fans, Tears to Tiara fans (however few lolz), and all others in the mainstream. This can only continue with MORE simulcast premieres right? I hope that you guys can muster some time to give them positive feedback, maybe by e-mail, guestbook, or blogging, showing our appreciation for this wonderful news (so we can have moar of this). Even with the recession, well, “in fact” with this recession, innovation will be something that will drive things forward, create new markets and energize the economy. This is innovative television programming. I am truly looking forward to this, as I can finally have a reason to turn the TV on for anime, delivered the way I like it. Finally, something new. WELCOME BACK!
TABLE OF CONTENTS
Animax-Asia… Dubbed in English – Episode 1: The end of Animax-Asia? Too sudden!?
Animax-Asia… Dubbed in English – Episode 2: Cardcaptured.
Animax-Asia… Dubbed in English – Episode 3: Trying to Adjust
Animax-Asia… Dubbed in English – Episode 4: Towards the 1st Anniversary
Animax-Asia… Dubbed in English – Episode 5: I gave up on Animax-Asia
Animax-Asia… Dubbed in English – Episode 6: One year since
Animax-Asiaâ€¦ Dubbed in English – Episode 7: Dubbed in Filipino?!?
Animax-Asiaâ€¦ Dubbed in English – Episode 7.5: Initial D Filipino Stage
Animax-Asiaâ€¦ Dubbed in English – Episode 8: More Pain
Animax-Asia… Dubbed in English – Episode 9: Now in blue
Animax-Asia… Dubbed in English – Episode 10: Fake Revival
Animax-Asia… Dubbed in English – Episode 11: Something New
Animax-Asia… Dubbed in English – Episode 12: Red with anger